Just try walking down the street carrying three live ducks! Now, try photographing that guy. Scheuer caught this subject in a moment when he had stepped into a pool of light between two shadows.
Lengths of rawhide used in shoemaking dangle over a pair of empty shoes on the left, making a surrealistic stand-in for a human figure. On the right, strands of hide hanging in a dark doorway and a ghostly highlight complete the eerie framing of the shoemaker and his sleepy friend.
Behind her veil, a woman smiles back at the photographer. She wears lipstick and carries an elegant handbag. Behind her, a man regards the scene with apparent disapproval. The curators suspect that the woman is one of Scheuer’s traveling companions, who may have put on hijab in order to enter the Mosque.
The cut-off figure at the frame edge, the expressive hand shapes, and the circular hat, pail and pan contribute to the formal structure here. The wooden frames break the rectangle into classical thirds.
Men socialize at the ritual foot-washing fountain outside a mosque in Sarajevo. The out-of-focus curtain on the left edge may indicate that the photo was taken through a bus window.
The interplay of light and architectural elements here heightens the drama of the three women in hijab in the center and suggests the influence of the French photographer Henri Cartier-Bresson.
An old man leans on his cane and into the light. A matronly woman evaluates a basket of grapes. These two occupy the same space but are oblivious to one another. Between them a young man, striding forward purposefully, glares at the photographer.